Strange Beauty
01 Sep, 2022~
18 Sep, 2022
Strange Beauty: Artists’ Exploration of Beauty That’s a Little Strange
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Venue
The Theater Pan
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Genre
Theater
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Show Time
Weekdays 8:00pm ㅣSat & Sun 3:30pmㅣNo performance on Tuesday * 9.9.Thu, 9.12.Mon 3:30pm
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Tickets
35,000KRW
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Duration
approx. 90~100 minutes
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Enquiry
1644-2003
Language Korean
Age Restriction Suitable for ages 20 and over
※ In the event of a confirmed case or a close contact of Covid-19, the production may be suspended or cancelled, and all tickets will be fully refunded without incurring cancellation fees. We will send out further instructions on how to proceed with the cancellation.
Co-produced by the National Theater Company of Korea and the Théâtre de Liège in Belgium
Strange Beauty: Artists’ Exploration of Beauty That’s a Little Strange
Yo-sup Bae, whose credits include such genre-defying works as Human Fuga and Hamlet Cantabile, poses a question about beauty. In response to his question, various artists—actors, choreographers, sound artists, and visual artists—have embarked upon the journey of Strange Beauty. Artists from different corners of the world, including Korea, Belgium, Democratic Republic of Congo/Belgium, Italy, France/Brazil—have come together to share their own concerns and sensibilities with regards to beauty as embraced in different cultures. Of the 1,700 catechetic questions or koans in Zen Buddhism, they’ve selected a few to train themselves, and continued their quest for beauty by travelling each other.
Co-produced by the National Theater Company of Korea (NTCK) and the Théâtre de Liège in Belgium, Strange Beauty is slated to premiere at the Spa Royal Festival in Belgium this August, before being presented to audiences in Korea in September. Only 15 performances are scheduled to take place at the Theater PAN! It’s time to open the door to the artists’ quest for 'beauty', which may be a little strange.
Synopsis
What is beauty? Where does beauty come from? Why does humanity or nature appear to pursue a sense of beauty? Strange Beauty presents various artists’ responses to such unanswerable self-recursive questions. Inspired by the koans in The Gateless Barrier that sought to reach beyond language and silence, the participating artists have approached these central questions through bodily senses. This improvisatory performance destroys the boundary between the conscious and the unconscious, and only follows eternal existence (nunc stans).
Directed by Yo-sup Bae
Yo-sup Bae founded the Tuida Theater Company, and worked on a number of plays for 20 years (2001~2020). In 2010, Bae left Seoul and moved to Hwacheon, Gangwon Province, where he created Arts Farm Tutbat and engaged with the local arts community. In 2021, he started a research group named Mudda that focused on exploring the boundaries between art and science. Just as good life gives rise to good art, he believes that good art can lead to good life. Bae continues to work hard without divulging the secret that uselessness is the essence of art. He likes to wander around the borders of art and play with dancers, musicians and artists, while at the same time seeking the experience of encountering each other through the body.
Major Works
Tree, Fish, Moon, Human Fuga, Bahuchara Mata: Beyond Binary, Hamlet Cantabile, and The Story of Hareuk